Building the SG, part 2 The Scale Length

The first step in the journey to a 1965 SG inspired guitar was pretty simple. Now that we know what we want, we have to draw it out and figure out other important details like the neck angle, pickup placement, scale length, neck joint and body thickness.

 

I ordered a pickguard to take some measurements from it. Knowing that the nut to the end of the fretboard is typically 18-1/8” on the SGs, I can measure the pickguard and attempt to match a scale length to it. The pickguard I bought is a WD Guitars 60’s batwing guard.

The Scale Length

The scale length is the distance between the nut and the bridge. Half the scale can be measured from the nut to the 12th fret, which is the midpoint. That value is multiplied by two to get the full scale value.

Over the years, Gibson has used what they advertise as being a 24.75” scale length. In reality, the scale length varied over the years depending on the manufacturing process. The original, pre-1954 guitars were in fact 24.75” but that changed in 1954 when they went to a 24.5625” (24-9/16”) scale length.

Some guitars changed to 24.625” (24-5/8”) around 1959.  My 1974 Les Paul has a 24.625” scale length. Never assume anything in terms of scale length on a Gibson.

 

If I add fretboard length of 18-1/8” to the distance between the fretboard end to the placement of the bridge posts, I get a scale length of 24-9/16” +/- 1/32”. That makes sense because this is a 60’s pickguard. With the scale length known, I can draw out a detailed plan of the neck joint, bridge placement and pickup routes.

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Building the SG, Part I

This is a special project. I will be building a Gibson SG with my son who has started playing guitar this past year and has shown a true interest in learning the instrument. He loves the look and feel of the SG so his 1st guitar will be exactly that. He’s played a few guitars and he knows what he wants.

The specs are very specific and are based on a ’65 Gibson SG with some tweaks to bring it to his taste. He came up with this:

SGWengeDavid

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The neck

  • Maple/Wenge/Maple/Wenge/Maple neck shaft, 13 deg headstock angle.
  • Wenge fretboard, bound with thin maple strip and wenge (like on the lacewood Jem in my portfolio)
  • Block MOP inlays
  • MOP side dot inlays
  • Stainless Steel frets
  • Soft C carve
  • TonePros*Kluson TPK33 nickel tuners (See here)

The Body

  • Honduran Mahogany
  • Full face ’65 SG style batwing pickguard
  • Cherry Red color
  • TonePros AVR2G-N. This is the vintage ABR-1 style bridge but with nylon sadlles with a nickel finish, which is what you’d find on a ’65 SG (See here)

The Electronics

  • Gibson Classic 57 Neck Pickup with nickel cover
  • Gibson Classic 57 Plus Bridge Pickup with nickel cover
  • 3-way switchcraft toggle switch with cream tip and cover
  • Black top hat with chrome cover vol/tone knobs

 

Next up will be the neck, pickup and bridge placement plan.

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